AEGiS-DMG: OPINION: Images of the Battleground: variety of new photographic books capture images of South African lives and spaces past and present Daily Mail & GuardianImportant note: Information in this article was accurate in 2002. The state of the art may have changed since the publication date.
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OPINION: Images of the Battleground: variety of new photographic books capture images of South African lives and spaces past and present

Mail & Guardian (Johannesburg) - May 31, 2002


Gideon Mendel's new work deals with HIV/Aids in Africa.

Photographer Gideon Mendel has spent nine years producing the material that has gone into his remarkable book A Broken Landscape (M&G Books), about people living with HIV/ Aids in Africa. It consists of many black-and-white photographs, accompanied by commentary provided by the subjects themselves.

Mendel says Aids is "one of the most important issues facing the world, and it's completely under-reported".

The book has been designed to be read rather than as a coffee-table glossy.

Mendel comments that, although he began taking the pictures as "a sort of traditional compassionate photojournalist" he soon realised that "the photographs alone weren't enough; they didn't work, the issues are so complicated, so difficult, so hidden".

Increasingly he uses text and testimony; recently an academic in the art world suggested that he is now less a photographer than an "activist conceptual artist".

Mendel explains that "producing the text involves a painstaking, slow process. I sit with people for a long time, getting them to tell the story they need to tell in as unmediated and unreported a way as possible."

The photographs are arranged in sequences, grouped around the story of the subject. The longest of these sequences, 17 photographs, is that of Mzokhona Malevu, from Enseleni Township in KwaZulu-Natal, showing him playing cards with his friends, being washed by his father, sleeping with seven children on the floor of his shack-room. It charts his life with HIV and ends with his funeral, which he wanted to be an "Aids education funeral, where the message can be spread far and wide". The close-up richness of everyday human dignity in the photographs is in itself a celebration of the lives of the many people photographed.

Mendel was raised in Johannesburg and studied African history and psychology at the University of Cape Town. He has worked as a photographer for 18 years and at the start of his career was very influenced by the political work of Omar Badsha and Paul Weinberg.

He acknowledges his debt to David Goldblatt who was an inspiration as well as tough critic; at a key moment in his career when he was working as a news photographer, Goldblatt encouraged him to exhibit at the Market Theatre Gallery and generously offered practical help. He says photography empowered him "to do something". Although he is now based in London, Mendel says his sojourn overseas has strengthened his work, and that though he sees himself now as a classical soutpiel, there is some advantage to being intimately acquainted with a place, yet seeing it from the outside.

His commitment to the production of the book "drove lots of people crazy". Asked whether he has not found it extremely harrowing and emotionally exhausting, he concedes the exhaustion, but adds, "I feel so privileged ... and in fact impatient with all the wingeing I've done."

The details

A Broken Landscape has been sponsored by Action Aid and the Canon Collins Educational Trust, and thus retails at only R120. Additional sponsorship from the Rockefeller Foundation is to go towards sending free copies to 500 individuals and organisations. The exhibition of A Broken Landscape opens at the Museum Africa in Newtown on June 2. It includes some of Mendel's recent colour work, which addresses current issues such as treatment access, mother-to-child transmission and HIV/Aids activism.


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